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	<id>https://www.encyclopediadubuque.org/index.php?action=history&amp;feed=atom&amp;title=LINDSAY%2C_Margaret</id>
	<title>LINDSAY, Margaret - Revision history</title>
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	<updated>2026-05-17T05:01:07Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://www.encyclopediadubuque.org/index.php?title=LINDSAY,_Margaret&amp;diff=185515&amp;oldid=prev</id>
		<title>Randylyon at 21:27, 18 November 2025</title>
		<link rel="alternate" type="text/html" href="https://www.encyclopediadubuque.org/index.php?title=LINDSAY,_Margaret&amp;diff=185515&amp;oldid=prev"/>
		<updated>2025-11-18T21:27:30Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 21:27, 18 November 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l8&quot;&gt;Line 8:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 8:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Margaret began an acting career in London just as Hollywood producers developed a desire for foreign talent in the early 1930s. According to popular lore, while sailing back to America she practiced an English accent and then convinced movie producers she was from England. (2) Universal took an interest in the &amp;quot;British stage actress&amp;quot; and signed her to a contract. She made her debut in &amp;quot;Okay, America!&amp;quot; (1932) and then worked in a few minor roles before taking full advantage of her &amp;quot;English tea rose&amp;quot; reputation with a small but noticeable part in the &amp;quot;all-British&amp;quot; grand-scale epic film &amp;quot;Cavalcade&amp;quot; (1933). (3)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Margaret began an acting career in London just as Hollywood producers developed a desire for foreign talent in the early 1930s. According to popular lore, while sailing back to America she practiced an English accent and then convinced movie producers she was from England. (2) Universal took an interest in the &amp;quot;British stage actress&amp;quot; and signed her to a contract. She made her debut in &amp;quot;Okay, America!&amp;quot; (1932) and then worked in a few minor roles before taking full advantage of her &amp;quot;English tea rose&amp;quot; reputation with a small but noticeable part in the &amp;quot;all-British&amp;quot; grand-scale epic film &amp;quot;Cavalcade&amp;quot; (1933). (3)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Image:lindsay9.jpeg|left|thumb|250px|Signed photo for &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;his &lt;/del&gt;cousin in &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Dububque&lt;/del&gt;.]]Warner Bros. picked up Margaret&#039;s option and she starred in three dozen films between 1933 and 1940 opposite such stars as Leslie Howard, Douglas Fairbanks Jr., George Arliss and Humphrey Bogart. (4) &quot;Americanized&quot; as a lead and second lead, she was able to drop the British pretense and appeared opposite James Cagney in &quot;Lady Killer&quot; (1933), &quot;Devil Dogs of the Air&quot; (1935), &quot;Frisco Kid&quot; (1935) and &quot;&#039;G&#039; Men&quot; (1935). The studio also had her work in such films as &quot;Fog Over Frisco&quot; (1934) and &quot;Bordertown&quot; (1935).  Margaret supported Bette Davis in both her Oscar-winning &quot;Best Actress&quot; pictures -- &quot;Dangerous&quot; (1935) and &quot;Jezebel&quot; (1938). She also took on a Davis castoff role in &quot;Garden of the Moon&quot; (1938), a musical in which Margaret did not sing. (5)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Image:lindsay9.jpeg|left|thumb|250px|Signed photo for &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;her &lt;/ins&gt;cousin in &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Dubuque&lt;/ins&gt;.]]Warner Bros. picked up Margaret&#039;s option and she starred in three dozen films between 1933 and 1940 opposite such stars as Leslie Howard, Douglas Fairbanks Jr., George Arliss and Humphrey Bogart. (4) &quot;Americanized&quot; as a lead and second lead, she was able to drop the British pretense and appeared opposite James Cagney in &quot;Lady Killer&quot; (1933), &quot;Devil Dogs of the Air&quot; (1935), &quot;Frisco Kid&quot; (1935) and &quot;&#039;G&#039; Men&quot; (1935). The studio also had her work in such films as &quot;Fog Over Frisco&quot; (1934) and &quot;Bordertown&quot; (1935).  Margaret supported Bette Davis in both her Oscar-winning &quot;Best Actress&quot; pictures -- &quot;Dangerous&quot; (1935) and &quot;Jezebel&quot; (1938). She also took on a Davis castoff role in &quot;Garden of the Moon&quot; (1938), a musical in which Margaret did not sing. (5)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Margaret&amp;#039;s longstanding problem was that she was either involved in minor pictures that would do nothing to advance her career or was given secondary roles in &amp;quot;A&amp;quot; pictures in which she played the star&amp;#039;s best friend, light romantic rival or socialite.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Margaret&amp;#039;s longstanding problem was that she was either involved in minor pictures that would do nothing to advance her career or was given secondary roles in &amp;quot;A&amp;quot; pictures in which she played the star&amp;#039;s best friend, light romantic rival or socialite.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Randylyon</name></author>
	</entry>
	<entry>
		<id>https://www.encyclopediadubuque.org/index.php?title=LINDSAY,_Margaret&amp;diff=185513&amp;oldid=prev</id>
		<title>Randylyon at 21:25, 18 November 2025</title>
		<link rel="alternate" type="text/html" href="https://www.encyclopediadubuque.org/index.php?title=LINDSAY,_Margaret&amp;diff=185513&amp;oldid=prev"/>
		<updated>2025-11-18T21:25:32Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 21:25, 18 November 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l8&quot;&gt;Line 8:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 8:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Margaret began an acting career in London just as Hollywood producers developed a desire for foreign talent in the early 1930s. According to popular lore, while sailing back to America she practiced an English accent and then convinced movie producers she was from England. (2) Universal took an interest in the &amp;quot;British stage actress&amp;quot; and signed her to a contract. She made her debut in &amp;quot;Okay, America!&amp;quot; (1932) and then worked in a few minor roles before taking full advantage of her &amp;quot;English tea rose&amp;quot; reputation with a small but noticeable part in the &amp;quot;all-British&amp;quot; grand-scale epic film &amp;quot;Cavalcade&amp;quot; (1933). (3)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Margaret began an acting career in London just as Hollywood producers developed a desire for foreign talent in the early 1930s. According to popular lore, while sailing back to America she practiced an English accent and then convinced movie producers she was from England. (2) Universal took an interest in the &amp;quot;British stage actress&amp;quot; and signed her to a contract. She made her debut in &amp;quot;Okay, America!&amp;quot; (1932) and then worked in a few minor roles before taking full advantage of her &amp;quot;English tea rose&amp;quot; reputation with a small but noticeable part in the &amp;quot;all-British&amp;quot; grand-scale epic film &amp;quot;Cavalcade&amp;quot; (1933). (3)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Warner Bros. picked up Margaret&#039;s option and she starred in three dozen films between 1933 and 1940 opposite such stars as Leslie Howard, Douglas Fairbanks Jr., George Arliss and Humphrey Bogart. (4) &quot;Americanized&quot; as a lead and second lead, she was able to drop the British pretense and appeared opposite James Cagney in &quot;Lady Killer&quot; (1933), &quot;Devil Dogs of the Air&quot; (1935), &quot;Frisco Kid&quot; (1935) and &quot;&#039;G&#039; Men&quot; (1935). The studio also had her work in such films as &quot;Fog Over Frisco&quot; (1934) and &quot;Bordertown&quot; (1935).  Margaret supported Bette Davis in both her Oscar-winning &quot;Best Actress&quot; pictures -- &quot;Dangerous&quot; (1935) and &quot;Jezebel&quot; (1938). She also took on a Davis castoff role in &quot;Garden of the Moon&quot; (1938), a musical in which Margaret did not sing. (5)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Image:lindsay9.jpeg|left|thumb|250px|Signed photo for his cousin in Dububque.]]&lt;/ins&gt;Warner Bros. picked up Margaret&#039;s option and she starred in three dozen films between 1933 and 1940 opposite such stars as Leslie Howard, Douglas Fairbanks Jr., George Arliss and Humphrey Bogart. (4) &quot;Americanized&quot; as a lead and second lead, she was able to drop the British pretense and appeared opposite James Cagney in &quot;Lady Killer&quot; (1933), &quot;Devil Dogs of the Air&quot; (1935), &quot;Frisco Kid&quot; (1935) and &quot;&#039;G&#039; Men&quot; (1935). The studio also had her work in such films as &quot;Fog Over Frisco&quot; (1934) and &quot;Bordertown&quot; (1935).  Margaret supported Bette Davis in both her Oscar-winning &quot;Best Actress&quot; pictures -- &quot;Dangerous&quot; (1935) and &quot;Jezebel&quot; (1938). She also took on a Davis castoff role in &quot;Garden of the Moon&quot; (1938), a musical in which Margaret did not sing. (5)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Margaret&amp;#039;s longstanding problem was that she was either involved in minor pictures that would do nothing to advance her career or was given secondary roles in &amp;quot;A&amp;quot; pictures in which she played the star&amp;#039;s best friend, light romantic rival or socialite.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Margaret&amp;#039;s longstanding problem was that she was either involved in minor pictures that would do nothing to advance her career or was given secondary roles in &amp;quot;A&amp;quot; pictures in which she played the star&amp;#039;s best friend, light romantic rival or socialite.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Randylyon</name></author>
	</entry>
	<entry>
		<id>https://www.encyclopediadubuque.org/index.php?title=LINDSAY,_Margaret&amp;diff=171650&amp;oldid=prev</id>
		<title>Randylyon at 15:42, 6 November 2021</title>
		<link rel="alternate" type="text/html" href="https://www.encyclopediadubuque.org/index.php?title=LINDSAY,_Margaret&amp;diff=171650&amp;oldid=prev"/>
		<updated>2021-11-06T15:42:54Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 15:42, 6 November 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;ANCESTRY.com---https://www.ancestry.com/search/?name=Margaret_Lindsay&amp;amp;event=_dubuque-dubuque-iowa-usa_41665&amp;amp;name_x=1&amp;amp;types=t&amp;amp;matchAllTermsChecked=false&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Image:lindsay.gif|left|thumb|250px|Margaret Lindsay pretended to be English to begin her career in motion pictures.]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Image:lindsay.gif|left|thumb|250px|Margaret Lindsay pretended to be English to begin her career in motion pictures.]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Image:lindseyp.png|right|thumb|250px|Signed photograph.]]LINDSAY, Margaret. (Dubuque, IA, Sept. 19, 1910--Los Angeles, CA, May 8, 1981). The daughter of pharmacist John Kies and his wife Bertha, Margaret is remembered as the Iowa girl who fooled Hollywood producers.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Image:lindseyp.png|right|thumb|250px|Signed photograph.]]LINDSAY, Margaret. (Dubuque, IA, Sept. 19, 1910--Los Angeles, CA, May 8, 1981). The daughter of pharmacist John Kies and his wife Bertha, Margaret is remembered as the Iowa girl who fooled Hollywood producers.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l137&quot;&gt;Line 137:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 139:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category: Actor/Actress]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category: Actor/Actress]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category: Ancestry]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Randylyon</name></author>
	</entry>
	<entry>
		<id>https://www.encyclopediadubuque.org/index.php?title=LINDSAY,_Margaret&amp;diff=159344&amp;oldid=prev</id>
		<title>Randylyon at 13:41, 25 November 2019</title>
		<link rel="alternate" type="text/html" href="https://www.encyclopediadubuque.org/index.php?title=LINDSAY,_Margaret&amp;diff=159344&amp;oldid=prev"/>
		<updated>2019-11-25T13:41:58Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 13:41, 25 November 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Image:lindsay.gif|left|thumb|250px|Margaret Lindsay pretended to be English to begin her career in motion pictures.]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Image:lindsay.gif|left|thumb|250px|Margaret Lindsay pretended to be English to begin her career in motion pictures.]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Image:lindseyp.png|right|thumb|250px|Signed photograph.]]LINDSAY, Margaret. (Dubuque, IA, Sept. 19, 1910--Los Angeles, CA, May 8, 1981). &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Lindsay, &lt;/del&gt;daughter of pharmacist John Kies and his wife Bertha, is remembered as the Iowa girl who fooled Hollywood producers.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Image:lindseyp.png|right|thumb|250px|Signed photograph.]]LINDSAY, Margaret. (Dubuque, IA, Sept. 19, 1910--Los Angeles, CA, May 8, 1981). &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The &lt;/ins&gt;daughter of pharmacist John Kies and his wife Bertha, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Margaret &lt;/ins&gt;is remembered as the Iowa girl who fooled Hollywood producers.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A graduate of [[ACADEMY OF THE VISITATION (THE)]] in 1928, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Lindsay &lt;/del&gt;was enrolled by her father in National Park Seminary in Washington, DC. Interested in acting, she subsequently attended New York&#039;s American Academy of Dramatic Arts. Unable to find work in New York, she traveled to England for further speech and acting study. Here &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;she &lt;/del&gt;made her professional stage debut and gained experience and confidence in such plays as &quot;Escape,&quot; &quot;By Candlelight,&quot; and &quot;Death Takes a Holiday&quot;. (1)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A graduate of [[ACADEMY OF THE VISITATION (THE)]] in 1928, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Margaret &lt;/ins&gt;was enrolled by her father in &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;the &lt;/ins&gt;National Park Seminary in Washington, DC. Interested in acting, she subsequently attended New York&#039;s American Academy of Dramatic Arts. Unable to find work in New York, she traveled to England for further speech and acting study. Here &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Margaret &lt;/ins&gt;made her professional stage debut and gained experience and confidence in such plays as &quot;Escape,&quot; &quot;By Candlelight,&quot; and &quot;Death Takes a Holiday&quot;. (1)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Lindsay &lt;/del&gt;began an acting career in London just as Hollywood producers developed a desire for foreign talent in the early 1930s. According to popular lore while sailing back to America&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, &lt;/del&gt;she practiced an English accent and then convinced movie producers she was from England. (2) Universal took an interest in the &quot;British stage actress&quot; and signed her to a contract. She made her debut in &quot;Okay, America!&quot; (1932) and then worked in a few minor roles before taking full advantage of her &quot;English tea rose&quot; reputation with a small but noticeable part in the &quot;all-British&quot; grand-scale epic film &quot;Cavalcade&quot; (1933). (3)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Margaret &lt;/ins&gt;began an acting career in London just as Hollywood producers developed a desire for foreign talent in the early 1930s. According to popular lore&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, &lt;/ins&gt;while sailing back to America she practiced an English accent and then convinced movie producers she was from England. (2) Universal took an interest in the &quot;British stage actress&quot; and signed her to a contract. She made her debut in &quot;Okay, America!&quot; (1932) and then worked in a few minor roles before taking full advantage of her &quot;English tea rose&quot; reputation with a small but noticeable part in the &quot;all-British&quot; grand-scale epic film &quot;Cavalcade&quot; (1933). (3)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Warner Bros. picked up &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;her &lt;/del&gt;option and she starred in three dozen films between 1933 and 1940 opposite such stars as Leslie Howard, Douglas Fairbanks Jr., George Arliss and Humphrey Bogart. (4) &quot;Americanized&quot; as a lead and second lead, she was able to drop the British pretense and appeared opposite James Cagney in &quot;Lady Killer&quot; (1933), &quot;Devil Dogs of the Air&quot; (1935), &quot;Frisco Kid&quot; (1935) and &quot;&#039;G&#039; Men&quot; (1935). The studio also had her work in such films as &quot;Fog Over Frisco&quot; (1934) and &quot;Bordertown&quot; (1935).  &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;She &lt;/del&gt;supported Bette Davis in both her Oscar-winning &quot;Best Actress&quot; pictures -- &quot;Dangerous&quot; (1935) and &quot;Jezebel&quot; (1938). She also took on a Davis castoff role in &quot;Garden of the Moon&quot; (1938), a musical in which Margaret did not sing. (5)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Warner Bros. picked up &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Margaret&#039;s &lt;/ins&gt;option and she starred in three dozen films between 1933 and 1940 opposite such stars as Leslie Howard, Douglas Fairbanks Jr., George Arliss and Humphrey Bogart. (4) &quot;Americanized&quot; as a lead and second lead, she was able to drop the British pretense and appeared opposite James Cagney in &quot;Lady Killer&quot; (1933), &quot;Devil Dogs of the Air&quot; (1935), &quot;Frisco Kid&quot; (1935) and &quot;&#039;G&#039; Men&quot; (1935). The studio also had her work in such films as &quot;Fog Over Frisco&quot; (1934) and &quot;Bordertown&quot; (1935).  &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Margaret &lt;/ins&gt;supported Bette Davis in both her Oscar-winning &quot;Best Actress&quot; pictures -- &quot;Dangerous&quot; (1935) and &quot;Jezebel&quot; (1938). She also took on a Davis castoff role in &quot;Garden of the Moon&quot; (1938), a musical in which Margaret did not sing. (5)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Margaret&amp;#039;s longstanding problem was that she was either involved in minor pictures that would do nothing to advance her career or was given secondary roles in &amp;quot;A&amp;quot; pictures in which she played the star&amp;#039;s best friend, light romantic rival or socialite.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Margaret&amp;#039;s longstanding problem was that she was either involved in minor pictures that would do nothing to advance her career or was given secondary roles in &amp;quot;A&amp;quot; pictures in which she played the star&amp;#039;s best friend, light romantic rival or socialite.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l12&quot;&gt;Line 12:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 12:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Following one of her best roles as Hepzibah in Nathaniel Hawthorne&amp;#039;s &amp;quot;The House of the Seven Gables&amp;quot; (1940), Margaret signed up with Columbia in the recurring &amp;quot;Ellery Queen&amp;quot; series (seven in all) as mystery writer Nikki Porter. Probably her best remembered role, this renewed popularity did not guarantee &amp;quot;A&amp;quot; pictures and she remained for the most part in second tier filming.   &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Following one of her best roles as Hepzibah in Nathaniel Hawthorne&amp;#039;s &amp;quot;The House of the Seven Gables&amp;quot; (1940), Margaret signed up with Columbia in the recurring &amp;quot;Ellery Queen&amp;quot; series (seven in all) as mystery writer Nikki Porter. Probably her best remembered role, this renewed popularity did not guarantee &amp;quot;A&amp;quot; pictures and she remained for the most part in second tier filming.   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;After she quit the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;EQ &lt;/del&gt;movie series, Margaret &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Lindsay &lt;/del&gt;was again cast in a adaptation of a popular radio show &quot;Crime Doctor&quot; (1943), the first of a series. This venture became a success, but when &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Lindsay&#039;s &lt;/del&gt;contract came up for renewal it was decided to drop her. (6) One of her more atypical roles came as a man-baiting saloon girl in &quot;The Vigilantes Return&quot; (1947). In the 1940s, she played secondary ladylike roles behind Joan Bennett in &quot;Scarlet Street&quot; (1945), Lana Turner in &quot;Cass Timberlane&quot; (1947) and Barbara Stanwyck in &quot;B.F.&#039;s Daughter&quot; (1948). Margaret also sought work on &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;TV &lt;/del&gt;and on the stage in the next decade. Her final film was &quot;Nurse Colman&quot; in &quot;Tammy and the Doctor&quot; (1963). On television she appeared as Elly in &quot;The Chadwick Family&quot;, an unsuccessful 1974 TV pilot with Fred MacMurray. (7)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;After she quit the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Ellery Queen &lt;/ins&gt;movie series, Margaret was again cast in a adaptation of a popular radio show &quot;Crime Doctor&quot; (1943), the first of a series. This venture became a success, but when &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;her &lt;/ins&gt;contract came up for renewal it was decided to drop her. (6) One of her more atypical roles came as a man-baiting saloon girl in &quot;The Vigilantes Return&quot; (1947). In the 1940s, she played secondary ladylike roles behind Joan Bennett in &quot;Scarlet Street&quot; (1945), Lana Turner in &quot;Cass Timberlane&quot; (1947) and Barbara Stanwyck in &quot;B.F.&#039;s Daughter&quot; (1948). Margaret also sought work on &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;television &lt;/ins&gt;and on the stage in the next decade. Her final film was &quot;Nurse Colman&quot; in &quot;Tammy and the Doctor&quot; (1963). On television she appeared as Elly in &quot;The Chadwick Family&quot;, an unsuccessful 1974 TV pilot with Fred MacMurray. (7)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Her sister [[GILBERT, Jane|Jane GILBERT]] had an acting career in the 1940s.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Her sister [[GILBERT, Jane|Jane GILBERT]] had an acting career in the 1940s.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Randylyon</name></author>
	</entry>
	<entry>
		<id>https://www.encyclopediadubuque.org/index.php?title=LINDSAY,_Margaret&amp;diff=155017&amp;oldid=prev</id>
		<title>Randylyon at 16:01, 4 June 2019</title>
		<link rel="alternate" type="text/html" href="https://www.encyclopediadubuque.org/index.php?title=LINDSAY,_Margaret&amp;diff=155017&amp;oldid=prev"/>
		<updated>2019-06-04T16:01:48Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 16:01, 4 June 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Image:lindsay.gif|left|thumb|250px|Margaret Lindsay pretended to be English to begin her career in motion pictures.]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Image:lindsay.gif|left|thumb|250px|Margaret Lindsay pretended to be English to begin her career in motion pictures.]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Image:lindseyp.png|right|thumb|250px|Signed photograph.]]LINDSAY, Margaret. (Dubuque, IA, Sept. 19, 1910-Los Angeles, CA, May 8, 1981). Lindsay, daughter of pharmacist John Kies and his wife Bertha, is remembered as the Iowa girl who fooled Hollywood producers.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Image:lindseyp.png|right|thumb|250px|Signed photograph.]]LINDSAY, Margaret. (Dubuque, IA, Sept. 19, 1910&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;-&lt;/ins&gt;-Los Angeles, CA, May 8, 1981). Lindsay, daughter of pharmacist John Kies and his wife Bertha, is remembered as the Iowa girl who fooled Hollywood producers.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A graduate of [[ACADEMY OF THE VISITATION (THE)]] in 1928, Lindsay was enrolled by her father in National Park Seminary in Washington, DC. Interested in acting, she subsequently attended New York&amp;#039;s American Academy of Dramatic Arts. Unable to find work in New York, she traveled to England for further speech and acting study. Here she made her professional stage debut and gained experience and confidence in such plays as &amp;quot;Escape,&amp;quot; &amp;quot;By Candlelight,&amp;quot; and &amp;quot;Death Takes a Holiday&amp;quot;. (1)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A graduate of [[ACADEMY OF THE VISITATION (THE)]] in 1928, Lindsay was enrolled by her father in National Park Seminary in Washington, DC. Interested in acting, she subsequently attended New York&amp;#039;s American Academy of Dramatic Arts. Unable to find work in New York, she traveled to England for further speech and acting study. Here she made her professional stage debut and gained experience and confidence in such plays as &amp;quot;Escape,&amp;quot; &amp;quot;By Candlelight,&amp;quot; and &amp;quot;Death Takes a Holiday&amp;quot;. (1)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Randylyon</name></author>
	</entry>
	<entry>
		<id>https://www.encyclopediadubuque.org/index.php?title=LINDSAY,_Margaret&amp;diff=144782&amp;oldid=prev</id>
		<title>Randylyon at 01:54, 2 April 2018</title>
		<link rel="alternate" type="text/html" href="https://www.encyclopediadubuque.org/index.php?title=LINDSAY,_Margaret&amp;diff=144782&amp;oldid=prev"/>
		<updated>2018-04-02T01:54:55Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 01:54, 2 April 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l13&quot;&gt;Line 13:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 13:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;After she quit the EQ movie series, Margaret Lindsay was again cast in a adaptation of a popular radio show &amp;quot;Crime Doctor&amp;quot; (1943), the first of a series. This venture became a success, but when Lindsay&amp;#039;s contract came up for renewal it was decided to drop her. (6) One of her more atypical roles came as a man-baiting saloon girl in &amp;quot;The Vigilantes Return&amp;quot; (1947). In the 1940s, she played secondary ladylike roles behind Joan Bennett in &amp;quot;Scarlet Street&amp;quot; (1945), Lana Turner in &amp;quot;Cass Timberlane&amp;quot; (1947) and Barbara Stanwyck in &amp;quot;B.F.&amp;#039;s Daughter&amp;quot; (1948). Margaret also sought work on TV and on the stage in the next decade. Her final film was &amp;quot;Nurse Colman&amp;quot; in &amp;quot;Tammy and the Doctor&amp;quot; (1963). On television she appeared as Elly in &amp;quot;The Chadwick Family&amp;quot;, an unsuccessful 1974 TV pilot with Fred MacMurray. (7)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;After she quit the EQ movie series, Margaret Lindsay was again cast in a adaptation of a popular radio show &amp;quot;Crime Doctor&amp;quot; (1943), the first of a series. This venture became a success, but when Lindsay&amp;#039;s contract came up for renewal it was decided to drop her. (6) One of her more atypical roles came as a man-baiting saloon girl in &amp;quot;The Vigilantes Return&amp;quot; (1947). In the 1940s, she played secondary ladylike roles behind Joan Bennett in &amp;quot;Scarlet Street&amp;quot; (1945), Lana Turner in &amp;quot;Cass Timberlane&amp;quot; (1947) and Barbara Stanwyck in &amp;quot;B.F.&amp;#039;s Daughter&amp;quot; (1948). Margaret also sought work on TV and on the stage in the next decade. Her final film was &amp;quot;Nurse Colman&amp;quot; in &amp;quot;Tammy and the Doctor&amp;quot; (1963). On television she appeared as Elly in &amp;quot;The Chadwick Family&amp;quot;, an unsuccessful 1974 TV pilot with Fred MacMurray. (7)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Her sister [[GILBERT, Jane|Jane GILBERT]] had an acting career in the 1940s.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Film History (8)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Film History (8)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Randylyon</name></author>
	</entry>
	<entry>
		<id>https://www.encyclopediadubuque.org/index.php?title=LINDSAY,_Margaret&amp;diff=144781&amp;oldid=prev</id>
		<title>Randylyon at 01:53, 2 April 2018</title>
		<link rel="alternate" type="text/html" href="https://www.encyclopediadubuque.org/index.php?title=LINDSAY,_Margaret&amp;diff=144781&amp;oldid=prev"/>
		<updated>2018-04-02T01:53:27Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 01:53, 2 April 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot;&gt;Line 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Image:lindseyp.png|right|thumb|250px|Signed photograph.]]LINDSAY, Margaret. (Dubuque, IA, Sept. 19, 1910-Los Angeles, CA, May 8, 1981). Lindsay, daughter of pharmacist John Kies and his wife Bertha, is remembered as the Iowa girl who fooled Hollywood producers.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Image:lindseyp.png|right|thumb|250px|Signed photograph.]]LINDSAY, Margaret. (Dubuque, IA, Sept. 19, 1910-Los Angeles, CA, May 8, 1981). Lindsay, daughter of pharmacist John Kies and his wife Bertha, is remembered as the Iowa girl who fooled Hollywood producers.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A graduate of [[ACADEMY OF THE VISITATION (THE)]], Lindsay was enrolled by her father in National Park Seminary in Washington, DC. Interested in acting, she subsequently attended New York&#039;s American Academy of Dramatic Arts. Unable to find work in New York, she traveled to England for further speech and acting study. Here she made her professional stage debut and gained experience and confidence in such plays as &quot;Escape,&quot; &quot;By Candlelight,&quot; and &quot;Death Takes a Holiday&quot;. (1)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A graduate of [[ACADEMY OF THE VISITATION (THE)]] &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;in 1928&lt;/ins&gt;, Lindsay was enrolled by her father in National Park Seminary in Washington, DC. Interested in acting, she subsequently attended New York&#039;s American Academy of Dramatic Arts. Unable to find work in New York, she traveled to England for further speech and acting study. Here she made her professional stage debut and gained experience and confidence in such plays as &quot;Escape,&quot; &quot;By Candlelight,&quot; and &quot;Death Takes a Holiday&quot;. (1)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Lindsay began an acting career in London just as Hollywood producers developed a desire for foreign talent in the early 1930s. According to popular lore while sailing back to America, she practiced an English accent and then convinced movie producers she was from England. (2) Universal took an interest in the &amp;quot;British stage actress&amp;quot; and signed her to a contract. She made her debut in &amp;quot;Okay, America!&amp;quot; (1932) and then worked in a few minor roles before taking full advantage of her &amp;quot;English tea rose&amp;quot; reputation with a small but noticeable part in the &amp;quot;all-British&amp;quot; grand-scale epic film &amp;quot;Cavalcade&amp;quot; (1933). (3)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Lindsay began an acting career in London just as Hollywood producers developed a desire for foreign talent in the early 1930s. According to popular lore while sailing back to America, she practiced an English accent and then convinced movie producers she was from England. (2) Universal took an interest in the &amp;quot;British stage actress&amp;quot; and signed her to a contract. She made her debut in &amp;quot;Okay, America!&amp;quot; (1932) and then worked in a few minor roles before taking full advantage of her &amp;quot;English tea rose&amp;quot; reputation with a small but noticeable part in the &amp;quot;all-British&amp;quot; grand-scale epic film &amp;quot;Cavalcade&amp;quot; (1933). (3)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Randylyon</name></author>
	</entry>
	<entry>
		<id>https://www.encyclopediadubuque.org/index.php?title=LINDSAY,_Margaret&amp;diff=130792&amp;oldid=prev</id>
		<title>Randylyon at 04:10, 3 April 2016</title>
		<link rel="alternate" type="text/html" href="https://www.encyclopediadubuque.org/index.php?title=LINDSAY,_Margaret&amp;diff=130792&amp;oldid=prev"/>
		<updated>2016-04-03T04:10:26Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 04:10, 3 April 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Image:lindsay.gif|&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;right&lt;/del&gt;|thumb|250px|Margaret Lindsay pretended to be English to begin her career in motion pictures.]]LINDSAY, Margaret. (Dubuque, IA, Sept. 19, 1910-Los Angeles, CA, May 8, 1981). Lindsay, daughter of pharmacist John Kies and his wife Bertha, is remembered as the Iowa girl who fooled Hollywood producers.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Image:lindsay.gif|&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;left&lt;/ins&gt;|thumb|250px|Margaret Lindsay pretended to be English to begin her career in motion pictures&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Image:lindseyp.png|right|thumb|250px|Signed photograph&lt;/ins&gt;.]]LINDSAY, Margaret. (Dubuque, IA, Sept. 19, 1910-Los Angeles, CA, May 8, 1981). Lindsay, daughter of pharmacist John Kies and his wife Bertha, is remembered as the Iowa girl who fooled Hollywood producers.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A graduate of [[ACADEMY OF THE VISITATION (THE)]], Lindsay was enrolled by her father in National Park Seminary in Washington, DC. Interested in acting, she subsequently attended New York&amp;#039;s American Academy of Dramatic Arts. Unable to find work in New York, she traveled to England for further speech and acting study. Here she made her professional stage debut and gained experience and confidence in such plays as &amp;quot;Escape,&amp;quot; &amp;quot;By Candlelight,&amp;quot; and &amp;quot;Death Takes a Holiday&amp;quot;. (1)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A graduate of [[ACADEMY OF THE VISITATION (THE)]], Lindsay was enrolled by her father in National Park Seminary in Washington, DC. Interested in acting, she subsequently attended New York&amp;#039;s American Academy of Dramatic Arts. Unable to find work in New York, she traveled to England for further speech and acting study. Here she made her professional stage debut and gained experience and confidence in such plays as &amp;quot;Escape,&amp;quot; &amp;quot;By Candlelight,&amp;quot; and &amp;quot;Death Takes a Holiday&amp;quot;. (1)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Randylyon</name></author>
	</entry>
	<entry>
		<id>https://www.encyclopediadubuque.org/index.php?title=LINDSAY,_Margaret&amp;diff=126534&amp;oldid=prev</id>
		<title>Randylyon at 17:27, 28 November 2015</title>
		<link rel="alternate" type="text/html" href="https://www.encyclopediadubuque.org/index.php?title=LINDSAY,_Margaret&amp;diff=126534&amp;oldid=prev"/>
		<updated>2015-11-28T17:27:19Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 17:27, 28 November 2015&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l3&quot;&gt;Line 3:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 3:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A graduate of [[ACADEMY OF THE VISITATION (THE)]], Lindsay was enrolled by her father in National Park Seminary in Washington, DC. Interested in acting, she subsequently attended New York&amp;#039;s American Academy of Dramatic Arts. Unable to find work in New York, she traveled to England for further speech and acting study. Here she made her professional stage debut and gained experience and confidence in such plays as &amp;quot;Escape,&amp;quot; &amp;quot;By Candlelight,&amp;quot; and &amp;quot;Death Takes a Holiday&amp;quot;. (1)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A graduate of [[ACADEMY OF THE VISITATION (THE)]], Lindsay was enrolled by her father in National Park Seminary in Washington, DC. Interested in acting, she subsequently attended New York&amp;#039;s American Academy of Dramatic Arts. Unable to find work in New York, she traveled to England for further speech and acting study. Here she made her professional stage debut and gained experience and confidence in such plays as &amp;quot;Escape,&amp;quot; &amp;quot;By Candlelight,&amp;quot; and &amp;quot;Death Takes a Holiday&amp;quot;. (1)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Lindsay began an acting career in London just as Hollywood producers developed a desire for foreign talent in the early 1930s. According to popular lore while sailing back to America, she practiced an English accent and then convinced movie producers she was from England. (2) Universal took an interest in the &quot;British stage actress&quot; and signed her &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;on&lt;/del&gt;. She made her debut in &quot;Okay, America!&quot; (1932) and then worked in a few minor roles before taking full advantage of her &quot;English tea rose&quot; reputation with a small but noticeable part in the &quot;all-British&quot; grand-scale epic film &quot;Cavalcade&quot; (1933). (3)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Lindsay began an acting career in London just as Hollywood producers developed a desire for foreign talent in the early 1930s. According to popular lore while sailing back to America, she practiced an English accent and then convinced movie producers she was from England. (2) Universal took an interest in the &quot;British stage actress&quot; and signed her &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;to a contract&lt;/ins&gt;. She made her debut in &quot;Okay, America!&quot; (1932) and then worked in a few minor roles before taking full advantage of her &quot;English tea rose&quot; reputation with a small but noticeable part in the &quot;all-British&quot; grand-scale epic film &quot;Cavalcade&quot; (1933). (3)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Warner Bros. picked up her option and she starred in three dozen films between 1933 and 1940 opposite such stars as Leslie Howard, Douglas Fairbanks Jr., George Arliss and Humphrey Bogart. (4) &quot;Americanized&quot; as a lead and second lead, she was able to drop the British pretense and appeared opposite Cagney in &quot;Lady Killer&quot; (1933), &quot;Devil Dogs of the Air&quot; (1935), &quot;Frisco Kid&quot; (1935) and &quot;&#039;G&#039; Men&quot; (1935). The studio had her work in such films as &quot;Fog Over Frisco&quot; (1934) and &quot;Bordertown&quot; (1935).  She supported Bette Davis in both her Oscar-winning &quot;Best Actress&quot; pictures -- &quot;Dangerous&quot; (1935) and &quot;Jezebel&quot; (1938). She also took on a Davis castoff role in &quot;Garden of the Moon&quot; (1938), a musical in which Margaret did not sing. (5)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Warner Bros. picked up her option and she starred in three dozen films between 1933 and 1940 opposite such stars as Leslie Howard, Douglas Fairbanks Jr., George Arliss and Humphrey Bogart. (4) &quot;Americanized&quot; as a lead and second lead, she was able to drop the British pretense and appeared opposite &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;James &lt;/ins&gt;Cagney in &quot;Lady Killer&quot; (1933), &quot;Devil Dogs of the Air&quot; (1935), &quot;Frisco Kid&quot; (1935) and &quot;&#039;G&#039; Men&quot; (1935). The studio &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;also &lt;/ins&gt;had her work in such films as &quot;Fog Over Frisco&quot; (1934) and &quot;Bordertown&quot; (1935).  She supported Bette Davis in both her Oscar-winning &quot;Best Actress&quot; pictures -- &quot;Dangerous&quot; (1935) and &quot;Jezebel&quot; (1938). She also took on a Davis castoff role in &quot;Garden of the Moon&quot; (1938), a musical in which Margaret did not sing. (5)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Margaret&#039;s longstanding problem was that she was either involved in minor pictures that would do nothing to advance her career or was &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;handed &lt;/del&gt;secondary roles in &quot;A&quot; pictures in which she played the star&#039;s best friend, light romantic rival or socialite.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Margaret&#039;s longstanding problem was that she was either involved in minor pictures that would do nothing to advance her career or was &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;given &lt;/ins&gt;secondary roles in &quot;A&quot; pictures in which she played the star&#039;s best friend, light romantic rival or socialite.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Following one of her best roles as Hepzibah in Nathaniel Hawthorne&#039;s &quot;The House of the Seven Gables&quot; (1940), Margaret signed up with Columbia in the recurring &quot;Ellery Queen&quot; series (seven in all) as mystery writer Nikki Porter. Probably her best remembered role, this renewed popularity did not guarantee &quot;A&quot; pictures and she remained for the most part in second tier filming.  After she quit the EQ movie series, Margaret Lindsay was again cast in a adaptation of a popular radio show &quot;Crime Doctor&quot; (1943), the first of a series. This venture &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;did become &lt;/del&gt;a success, but Lindsay&#039;s contract came up for renewal &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;and &lt;/del&gt;it was decided to drop her. (6) One of her more atypical roles came as a man-baiting saloon girl in &quot;The Vigilantes Return&quot; (1947). In the 1940s, she played secondary ladylike roles behind Joan Bennett in &quot;Scarlet Street&quot; (1945), Lana Turner in &quot;Cass Timberlane&quot; (1947) and Barbara Stanwyck in &quot;B.F.&#039;s Daughter&quot; (1948). Margaret also sought work on TV and on the stage in the next decade. Her final film was &quot;Nurse Colman&quot; in &quot;Tammy and the Doctor&quot; (1963). On television she appeared as Elly in &quot;The Chadwick Family&quot;, an unsuccessful 1974 TV pilot with Fred MacMurray. (7)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Following one of her best roles as Hepzibah in Nathaniel Hawthorne&#039;s &quot;The House of the Seven Gables&quot; (1940), Margaret signed up with Columbia in the recurring &quot;Ellery Queen&quot; series (seven in all) as mystery writer Nikki Porter. Probably her best remembered role, this renewed popularity did not guarantee &quot;A&quot; pictures and she remained for the most part in second tier filming.   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;After she quit the EQ movie series, Margaret Lindsay was again cast in a adaptation of a popular radio show &quot;Crime Doctor&quot; (1943), the first of a series. This venture &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;became &lt;/ins&gt;a success, but &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;when &lt;/ins&gt;Lindsay&#039;s contract came up for renewal it was decided to drop her. (6) One of her more atypical roles came as a man-baiting saloon girl in &quot;The Vigilantes Return&quot; (1947). In the 1940s, she played secondary ladylike roles behind Joan Bennett in &quot;Scarlet Street&quot; (1945), Lana Turner in &quot;Cass Timberlane&quot; (1947) and Barbara Stanwyck in &quot;B.F.&#039;s Daughter&quot; (1948). Margaret also sought work on TV and on the stage in the next decade. Her final film was &quot;Nurse Colman&quot; in &quot;Tammy and the Doctor&quot; (1963). On television she appeared as Elly in &quot;The Chadwick Family&quot;, an unsuccessful 1974 TV pilot with Fred MacMurray. (7)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Film History (8)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Film History (8)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Randylyon</name></author>
	</entry>
	<entry>
		<id>https://www.encyclopediadubuque.org/index.php?title=LINDSAY,_Margaret&amp;diff=111005&amp;oldid=prev</id>
		<title>Randylyon at 03:16, 17 February 2014</title>
		<link rel="alternate" type="text/html" href="https://www.encyclopediadubuque.org/index.php?title=LINDSAY,_Margaret&amp;diff=111005&amp;oldid=prev"/>
		<updated>2014-02-17T03:16:09Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 03:16, 17 February 2014&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l119&quot;&gt;Line 119:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 119:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;2. &amp;quot;List of Probable Suspects: Margaret Lindsay,&amp;quot; EQ, http://queen.spaceports.com/List%20of%20Suspects_5_Lindsay.html  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;2. &amp;quot;List of Probable Suspects: Margaret Lindsay,&amp;quot; EQ, http://queen.spaceports.com/List%20of%20Suspects_5_Lindsay.html  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;3. Seiffert, Deb, &quot;Margaret Lindsay&quot; from the book They Came From Dubuque by John Tigges, Dubuque, Iowa: Kendall/Hunt Publishing Company, 1983, p. 80&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;3. Seiffert, Deb, &quot;Margaret Lindsay&quot; from the book &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;&lt;/ins&gt;They Came From Dubuque&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039; &lt;/ins&gt;by John Tigges, Dubuque, Iowa: Kendall/Hunt Publishing Company, 1983, p. 80&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;4. &amp;quot;List of Probably Suspects--Margaret Lindsay,&amp;quot; Online: http://queen.spaceports.com/List%20of%20Suspects_5_Lindsay.html&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;4. &amp;quot;List of Probably Suspects--Margaret Lindsay,&amp;quot; Online: http://queen.spaceports.com/List%20of%20Suspects_5_Lindsay.html&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Randylyon</name></author>
	</entry>
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